Difference between revisions of "7 References"

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=Intro=
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I have compiled a list of resources that I have used in my collaborative practice projects, consulted for the range of the already circulating published works, and for the writing of the kappa. It goes therefore beyond the strict "cited sources" task since it includes materials that have indirectly informed my practice or thinking. These mapped works circulate in different contexts, academic, activist, community, art, in short outside and inside academia. Where possible I linked to their sources for reading or download or uploaded them directly to this wiki database. As such this section extends to a degree the concept of bibliography and operates partly as an archive.
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This page compiles the resources that I have used (i) in my collaborative practice projects, (ii) consulted for the range of the already circulating published works, and (iii) for the writing of the kappa. It goes beyond the strict "cited sources" list since it includes materials that have indirectly informed my practice or thinking. These mapped works circulate in different contexts: academic, activist, community, art in short, outside and inside academia. Where possible I linked to their sources for reading or download, or uploaded the documents directly to this wiki database. As such, this section extends, to a degree, the concept of bibliography and operates partly as an archive.
  
 
=Resources=
 
=Resources=
Adema, Janneke and Hall, Gary, 'The Political Nature Of The Book: On Artists’ Books And Radical Open Access', in ''New Formations'', vol 78, issue 1, pp. 138-156. DOI:10.3898/NEWF.78.07.2013<br />
 
  
Adema, Janneke, "Scanners, collectors and aggregators. On the underground movement of (pirated) theory text sharing", ''Open Reflections'', 20 Sept 2009.https://openreflections.wordpress.com/2009/09/20/scanners-collectors-and-aggregators-on-the-%E2%80%98underground-movement%E2%80%99-of-pirated-theory-text-sharing/ <br />
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Adema, Janneke, and Gary Hall. "The Political Nature Of The Book: On Artists’ Books And Radical Open Access." <i>New Formations</i>, vol. 78, no. 1 (2013): 138–56. https://doi.org/10.3898/NEWF.78.07.2013. [https://curve.coventry.ac.uk/open/file/bec7fd48-e138-4bb1-840e-bc664e3e6ca1/1/The%20political%20nature%20of%20the%20book.pdf PDF].<br />
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Adema Janneke, and Samuel A. Moore. "Collectivity and collaboration: imagining new forms of communality to create resilience in scholar-led publishing." <i>Insights</i> 31: 3 (2018). https://doi.org/10.1629/uksg.399.  <br />
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Adema, Janneke. "Scanners, collectors and aggregators. On the underground movement of (pirated) theory text sharing", <i>Open Reflections</i>, September 20, 2009. https://openreflections.wordpress.com/2009/09/20/scanners-collectors-and-aggregators-on-the-%E2%80%98underground-movement%E2%80%99-of-pirated-theory-text-sharing/. <br />
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———.<i>Radical Open Access – Building Horizontal Alliances </i>, (2018).
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https://radicaloa.disruptivemedia.org.uk/tag/janneke-adema/. <br />
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Ahmed, Sara. "Making Feminist Points." <i>Feminist Kill Joys</i>, November 11, 2013. https://feministkilljoys.com/2013/09/11/making-feminist-points/. <br />
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———. "White Men." <i>Feminist Kill Joys</i>, April 11, 2014. https://feministkilljoys.com/2014/11/04/white-men/.  <br />
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———. <i>Differences That Matter – Feminist Theory and Postmodernism</i>. Cambridge: Cambridge University Press, 2004. <br />
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Alarcon, Daniel. "Life amongst the Pirates". <i>Granta 109: Work</i>, January 14, 2010. https://granta.com/life-among-the-pirates.  <br/>
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Alperin, J.P., C. Muñoz Nieves, L. Schimanski, G.E. Fischman, M.T. Niles, and E.C. McKiernan. "How significant are the public dimensions of faculty work in review, promotion, and tenure documents?," <i>eLife</i>,  February 12, 2019. https://doi.org/10.7554/eLife.42254.003. <br />
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Altmetric. https://www.altmetric.com/. <br />
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AND Publishing Guestroom Residency, Marabouparken konsthall, Stockholm, April–August 2018. http://marabouparken.se/and-publishing/?lang=en.  <br />
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AND Publishing, The Piracy Project. http://andpublishing.org/?s=the+piracy+project.<br />
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AND Publishing. "AND Publishing announces Piracy Lectures". <i>art-agenda</i>, May 4, 2011. https://www.art-agenda.com/shows/and-publishing-announces-the-piracy-lectures. <br />
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Art Metropole, Toronto. https://artmetropole.com/. <br />
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Atton, Chris. "The infoshop: the alternative information centre of the 1990s." <i>New Library World</i>, vol. 100, no. 1146 (1999): 24–29. <br />
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———. "Infoshops in the Shadow of the State." In <i>Contesting Media Power: Alternative Media in a Networked World</i>, edited by N. Couldry and J. Curran, 57–69. Lanham: Rowman & Littlefield Publishing, 2003.<br />
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<i>Art-Rite</i> magazine, winter/spring 1975/1976.<br />
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<i>Art-Rite</i> magazine, winter/spring 1976/1977. [http://wiki.evaweinmayr.com/images/a/a3/Art-Rite_no14_excerpt.pdf. PDF] <br />
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Atria – Institute on gender equality and women's history.
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"Women Thesaurus." https://institute-genderequality.org/library-archive/thesaurus/. <br />
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Aufderheide, Patricia, Peter Jaszi, Bryan Bello, and Tijana Milosevic. <i>Copyright, Permissions, and Fair Use among Visual Artists and the Academic and Museum Visual Arts Communities: An Issues Report</i>. New York: College Art Association, 2014. https://www.collegeart.org/pdf/FairUseIssuesReport.pdf. <br />
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Bailey, Olga, Bart Cammaerts, and Nico Carpentier. <i>Understanding Alternative Media</i>. Maidenhead: Open University Press, 2008.<br />
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Baines, Jess. "Free Radicals". <i>Afterall</i>, January 28, 2010. http://www.afterall.org/online/radical.printmaking.<br />
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———. <i>Democratising Print</i>. PhD diss., London School of Economics, 2016.<br />
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———. "Experiments in democratic participation: feminist printshop collectives". <i>Cultural Policy, Criticism & Management Research</i>, vol. 6 (Autumn, 2012): 29–51. https://culturalpolicyjournal.wordpress.com/past-issues/issue-no-6/feminist-printshop-collectives/. <br />
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Baldessari, John. <i>Art-Rite</i> magazine, 1976/1977. <br />
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Barad, Karen. "Diffracting Diffraction: Cutting Together-Apart". <i>Parallax</i>, 20:3, (2014): 168–87. https://doi.org/10.1080/13534645.2014.927623. <br />
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———. "Nature's Queer Performativity", <i>Kvinder, KØN & Forskning</i> 46, 1-2, (2012): 25–53, https://tidsskrift.dk/KKF/article/view/28067. <br />
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Barok, Dušan, ed. <i>Monoskop Reader</i>. Produced for the exhibition "Open Scores", Panke Gallery, Berlin, 2019. In the context of the research project "Creating Commons", ZHdK Zurich convened by Cornelia Sollfrank, Shusha Niederberger, and Felix Stalder. http://creatingcommons.zhdk.ch/reader-on-shadow-artistic-independent-autonomous-digital-libraries/. <br />
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Barthes, Roland. "The Death of the Author". In <i>Image Music Text</i>, edited and translated by Stephen Heath, 142–49. London: Fontana Paperbacks, [1967] 1990.<br />
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———. <i>S/Z</i>. Translated by Richard Howard. New York: Hill and Wang, 1974. <br />
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Basile, Jonathan. "Who’s Afraid of AAARG." <i>Guernica Magazine</i> (August 25, 2016). https://www.guernicamag.com/jonathan-basile-whos-afraid-of-aaarg/. <br />
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Bateson, Gregory. <i>Steps to an Ecology of Mind</i>. San Francisco: Jason Aronson, 1972. <br />
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Bathurst Judge, Cyril. <i>Elizabethan book-pirates</i>. Cambridge: Harvard University Press, 1934.<br />
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Bayle, Pierre. <i>The Dictionary Historical and Critical of Mr. Peter Bayle</i>. London, 1737 (2nd edition). <br />
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Benjamin, Walter. "Unpacking my Library: A Talk about Book Collecting." In <i>Illuminations</i>, translated by Harry Zohn, edited and with an introduction by Hannah Arendt, 59–67. New York: Schocken Books, 1969. <br />
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Bently, Lionel. "Copyright and the Death of the Author in Literature and Law." <i>Modern Law Review</i>, 57 (1994): 973–86.<br />
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Bently, Lionel, Andrea Francke, Sergio Muñoz Sarmiento, Prodromos Tsiavos, Eva Weinmayr, and the audience. "A Day at the Courtroom." In <i>Borrowing, Poaching, Plagiarising, Pirating, Stealing, Gleaning, Referencing, Leaking, Copying, Imitating, Adapting, Faking, Paraphrasing, Quoting, Reproducing, Using, Counterfeiting, Repeating, Cloning, Translating</i>, edited by Andrea Francke & Eva Weinmayr, 91–133. London: AND Publishing, 2014. [http://wiki.evaweinmayr.com/images/7/76/AND_Publishing_Piracy_Project_Reader_2014.pdf PDF].<br />
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Bently, Lionel, Jennifer Davis, and Jane C. Ginsburg, eds. <i>Copyright and Piracy: An Interdisciplinary Critique</i>. Cambridge: Cambridge University Press, 2010. <br />
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Berman, Sanford. <i>Prejudices and Antipathies: A Tract on the LC Subject Heads Concerning People</i> (1971). Reprint, London: McFarland & Co, 1993. <br />
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Biagioli, Mario. "Documents of Documents". In <i>Documents, Artifacts of Modern Knowledge</i>, edited by Annelise Riles, 127–57. Ann Arbor: The University of Michigan Press, 2006. <br />
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———."Plagiarism, Kinship and Slavery". <i>Theory Culture Society</i>, 31(2/3) (2014): 65–91. https://doi.org/10.1177/0263276413516372. <br />
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Bird, Greg, and Jonathan Short. "Community, Immunity, and the Proper – an introduction to the political theory of Roberto Esposito." <i>Angelaki, Journal of the Theoretical Humanities</i>, vol. 18, no. 3 (September 2013): 1–12.<br />
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Bishop, Claire. "The Social Turn: Collaboration and Its Discontents". <i>Artforum</i> (February, 2006). <br />
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Bodó, Balazc. "Libraries in the post-scarcity era." In <i>Copyrighting Creativity: Creative Values, Cultural Heritage Institutions and Systems of Intellectual Property</i>, edited by Helle Porsdam, 75–92. Farnham: Ashgate, 2015. https://www.semanticscholar.org/paper/Libraries-in-the-Post-Scarcity-Era-Bodo/934cf6b47a4d6e9b765d378ddf74f01364f821c5?p2df. <br />
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Bowker, Geoffrey C., Stefan Timmermans, Adele E. Clarke, Ellen Balka, eds. <i>Boundary Objects and Beyond – Working with Leigh Star</i>. Cambridge MA: The MIT Press, 2016. <br />
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Bränström, Helena, and Elsa Modin. "Women are not a subject – subject indexing at Kvinnohistoriska samlingarna." MA thesis, Bibliotekshögskolan Boras, 1998.<br />
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Briet, Suzanne. <i>Qu'est-ce que la documentation?</i> EDIT: Paris, 1951. (English edition, translated and edited by Ronald E. Day and Laurent Martinet with Hermina G. B. Anghelescu. Lanham, MD: Scarecrow Press, 2006.) https://monoskop.org/log/?p=11894. <br />
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Buckland, Michael K. "What is a Document."  <i>Journal of the American Society for Information Science</i>, vol. 48, issue 9 (September 1997): 804–09.<br />
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Butler, Judith. <i>Notes Toward A Performative Theory of Assembly</i>. Cambridge MA: Harvard University Press, 2015. <br />
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Candea, Matei, ed. <i>The Social after Gabriel Tarde: Debates and Assessments</i>. London: Routledge, 2010. <br />
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Cella, Bernhard, Leo Findeisen, and Agnes Blaha <i>no isbn</i>. Vienna: Salon für Kunstbuch, 2015. <br />
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Center for an Urban Future. <i>Branches of Opportunity</i>. New York City: Jan 2013. https://nycfuture.org/pdf/Branches_of_Opportunity.pdf. <br />
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Chang, Yi-Ting, Litzy Galarza, Mercer Gary, Erika Grimm, Ryan Lenau, Cynthia Marrero-Ramos, and Kierstan Thomas. “Lugones Lexicon." This lexicon was produced by the graduate students in the seminar, “Feminism, Intersectionality, Decolonialism: The Work of María Lugones,” co-taught by Nancy Tuana and Emma Velez in fall 2017. Penn State University, 2018. https://sites.psu.edu/lugonesconference/files/2014/11/Lugones-Lexicon-25rjap6.pdf. <br />
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Chatterjee, Piya, and Sunaina Maira, eds. <i>The Imperial University, Academic Repression and Scholarly Dissent</i>. Minneapolis: University of Minnesota Press, 2014. <br />
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Choi, Binna, Annette Krauss, Yolande van der Heide, and Liz Allan, eds. <i>Unlearning Exercises – Art Organizations as Sites for Unlearning</i>. Amsterdam: Valiz; Utrecht: Casco Art Institute/Working for the Commons, 2018.
  
Ahmed, Sarah, 'Making Feminist Points', in ''Feminist Kill Joys'', 11. Nov 2013. https://feministkilljoys.com/2013/09/11/making-feminist-points/<br />
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Coleman, Gabriella. <i>Hacker, Hoaxer, Whistleblower, Spy: The Many Faces of Anonymous</i>. London and New York: Verso, 2014.<br />
  
Ahmed, Sara 'White Men', in ''Feminist Kill Joys'', 11.April 2014. https://feministkilljoys.com/2014/11/04/white-men/<br />
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Constant, eds. <i>I think that conversations are the best, biggest thing that Free Software has to offer its user</i>. Brussels: Constant, 2015. https://conversations.tools/.<br />
  
Ahmed, Sara, ''Differences That Matter, Feminist Theory and Postmodernism'', Cambridge University Press, 2004.<br />
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Constant, eds. <i>Mondotheque – A Radiated Book</i>. Brussels: Constant, 2016. [https://monoskop.org/images/9/94/Mondotheque_A_Radiated_Book_Un_livre_irradiant_Een_irradierend_boek_2016.pdf PDF.] <br />
  
Alarcon, Daniel, "Life amongst the Pirates", ''Granta 109: Work'', 14 Jan 2010. https://granta.com/life-among-the-pirates<br/>
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Constant, eds. "Omissum". Brussels: Constant, 2020. https://constantvzw.org/site/Paul-Otlet-Een-Omissum.html. <br />
  
Alperin, J.P., Muñoz Nieves, C., Schimanski, L., Fischman, G.E., Niles, M.T. & McKiernan, E.C. 'How significant are the public dimensions of faculty work in review, promotion, and tenure documents?', in ''Humanities Commons'', 2018. http://dx.doi.org/10.17613/M6W950N35 <br />
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Constant, eds. <i> Are you being served</i>. Brussels: Constant 2015. https://areyoubeingserved.constantvzw.org/. <br />
  
Altmetrics. https://www.altmetric.com/ <br />
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Cooper, Charlotte. "Research Justice Diagram." In <i>Let's Mobilize: What is Feminist Pedagogy?</i>. Gothenburg: HDK-Valand, 2018, 35. br />
  
AND Publishing Guestroom Residency, Marabouparken Konsthall, Stockholm, Apr – Aug 2018. http://marabouparken.se/and-publishing/?lang=en <br />
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Couldry, Nick, and James Curran. <i>Contesting Media Power: Alternative Media in a Networked World</i>. Lanham: Rowman & Littlefield, 2003.<br />
  
AND Publishing, ''The Piracy Project''. http://andpublishing.org/?s=the+piracy+project<br />
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Craig, Carys J. "Symposium: Reconstructing the Author-Self: Some Feminist Lessons for Copyright Law." <i>American University Journal of Gender, Social Policy & the Law</i>, Issue 15, no. 2 (2007): 207–68. <br />
  
Art Metropole, Toronto.<br />
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Craig, Carys J., and Joseph F. Turcotte, with Rosemary J. Coombe. "What’s Feminist about Open Access? A Relational Approach to Copyright in the Academy", <i>feminists@law: An Open Access Journal of Feminist Legal Scholarship</i>, vol. 1, no. 1 (2011): 1–35. <br />
  
Arroyo, J. M, Izquierdo, "La organizacion documental del conocimiento", Madrid, Tecnidoc, 1995.<br />
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Cramer, Florian. "Unbound Books: Bound Ex Negativo", presentation at "The Unbound Book", Institute for Network Cultures, Hogeschool van Amsterdam, May 20, 2012. https://vimeo.com/24308435, podcast. <br/>
  
Atton, Chris. "The infoshop: the alternative information centre of the 1990s", in ''New Library World'', Volume 100, No 1146, Bingley: MCB University Press (Emerald), 1999, pp. 24–29. <br />
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Cramer, Florian, Stewart Home, and Tatiana Bazzichelli. "Infiltration." Performance lecture at "Disruption Network Lab #14," Berlin, September 27, 2018. https://www.youtube.com/watch?v=gBSLrwTdJzs&t=3738s. <br />
  
Atton, Chris, "Infoshops in the Shadow of the State", in N. Couldry & J. Curran (eds.) ''Contesting Media Power: Alternative Media in a Networked World'', Lanham: Rowman & Littlefield Publishing, 2003,  pp. 57–69.<br />
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Cullen, Kevin, and John Ellement. "MIT hacking case lawyer says Aaron Swartz was offered plea deal of six months behind bars". <i>Boston Globe</i>, January 14, 2013. https://www.boston.com/uncategorized/noprimarytagmatch/2013/01/14/mit-hacking-case-lawyer-says-aaron-swartz-was-offered-plea-deal-of-six-months-behind-bars. <br/>
  
''art-agenda'', 'AND Publishing announces Piracy Lectures'. https://www.art-agenda.com/shows/and-publishing-announces-the-piracy-lectures<br />
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Culture Machine and Post Office Press, eds.<i>The Geopolitics of Open</i>. Coventry: Centre for Postdigital Cultures, Coventry University, 2018.  
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http://radicaloa.disruptivemedia.org.uk/conferences/roa2/the-geopolitics-of-open/. <br />
  
''Art-Rite Magazine'', winter/spring 1975/1976.<br />
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Cunningham, John. "Clandestinity and Appearance". <i>Mute Magazine </i>, July 8, 2010. http:// www.metamute.org/editorial/articles/clandestinity-and-appearance. <br />
  
Aufderheide, Patricia, Jaszi, Peter, Bello, Bryan. Milosevic, Tijana, ''Copyright, Permissions, and Fair Use among Visual Artists and the Academic and Museum Visual Arts Communities: An Issues Report'', New York, College Art Association, 2014. <br />
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Cusiquanci, Silvia Rivera, El Colectivo 2, La Paz-Chukiyawu. "A Stroll through the Colonial Library", unpublished paper presented at the conference "Dis/Locating Culture: Narratives and Epistemologies of Displacement", Houston, Rice University, December 9–10, 2011. https://www.academia.edu/7338101/A_stroll_through_the_Colonial_Library. <br />
  
Bailey, Olga; Cammaerts, Bart; Carpentier, Nico, ''Understanding Alternative Media'', Maidenhead: Open University Press, 2008.<br />
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Cutter, Charles A. <i>Rules for a Dictionary Catalogue</i>, 4th ed. London: Library Association, [1904] 1962. <br />
  
Baines, Jess, 'Free Radicals', in ''Afterall'', 28 Jan 2010. http://www.afterall.org/online/radical.printmaking<br />
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de Certeau, Michel. <i>A Practice of Everyday Life</i>. Berkeley and Los Angeles: University of California Press, 1984. <br />
  
Baines, Jess, ''Democratising Print'', Doctoral thesis at London School of Ecomomics, 2016.<br />
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Dath, Caroline. "How to hack Study Regulations." <i>Mai: Feminism and Visual Culture, special focus #5: Feminist Pedagogies</i>, January 2020. https://maifeminism.com/issues/issue-5-feminist-pedagogies/. <br />
  
Baines, Jess,  "Experiments in democratic participation: feminist printshop collectives", ''Cultural Policy, Criticism & Management Research'', Vol. 6 (Autumn), 2012, pp. 29-51.<br />
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Dean, Jodi, Sean DockrayAlessandro Ludovico, Pauline van Mourik Broekman, Nicholas Thoburn, and Dmitry Vilensky. "Materialities of Independent Publishing: A Conversation with AAAAARG, Chto Delat?, I Cite, Mute, and Neural". <i>New Formations</i> 78, (August 2013): 157–78. https://chtodelat.org/b5-announcements/a-7/materialities-of-independent-publishing-a-conversation-with-aaaaarg-chto-delat-i-cite-mute-and-neural/. <br />
  
Baldessari, John, in ''Art-Rite Magazine'', 1976/1977. <br />
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De Jong, Sara, and Sanne Koevoets, eds. <i>Teaching Gender with Libraries and Archives: The Power of Information</i>. Budapest: Central European University Press, 2013. <br />
  
Barad, Karen, "Diffracting Diffraction: Cutting Together-Apart", in ''Parallax'', 20:3, 2014, pp. 168-187. DOI: 10.1080/13534645.2014.927623. <br />
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Dekker, Annet. "Copying as a Way to Start Something New. Annet Dekker in Conversation with Dušan Barok About Monoskop." In <i>Lost and Living (in) Archives</i>, edited by Annet Dekker, 175–90. Amsterdam: Valiz, 2017. [https://monoskop.org/images/1/11/Dekker_Annet_ed_Lost_and_Living_in_Archives_2017.pdf PDF]. <br />
  
Barad, Karen, "Nature's Queer Performativity", Kvinder, KØN & Forskning 46, 1-2, 2012, pp. 25-53. <br />
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Deleuze, Gilles, and Claire Parnet. <i>Dialogues II</i>. New York: Columbia University Press, 1987. <br />
  
Barok, Dušan, ''Monoskop Reader'', for exhibition Open Scores at Panke Gallery, Berlin in the framework of the research project "Creating Commons", ZHdK Zürich convened by Cornelia Sollfrank, Shusha Niederberger, Felix Stalder. Published August 2019. http://creatingcommons.zhdk.ch/reader-on-shadow-artistic-independent-autonomous-digital-libraries/<br />
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Deleuze, Gilles, and Félix Guattari. <i>A Thousand Plateaus: Capitalism and Schizophrenia</i>. Translated by Brian Massumi. Minneapolis and London: University of Minnesota Press, 2005. <br />
  
Barthes, Roland 'The Death of the Author’, in Image Music Text, London: Fontana Paperbacks, 1990, pp. 142-9. Originally published in ''Aspen'', NYC, Roaring Fork Press, 1967. <br />
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Deleuze, Gilles. "Letter to a Harsh Critic." In <i>Negotiations, 1972–1990</i>. New York: Columbia University Press, 1995. <br />
  
Barthes, Roland, ''S/Z'', translated by Richard Howard, New York, Hill and Wang, 1974.<br />
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de Sousa Santos, Boaventura. <i>The End of the Cognitive Empire – the coming of age of epistemologies of the south</i>. Durham and London: Duke University Press, 2018.<br />
  
Bathurst Judge, Cyril  ''Elizabethan book-pirates'', Cambridge: Harvard University Press, 1934.<br />
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Dewey, Melvil. <i>Decimal Clasification and Relative Index</i>. 13th edition. Essex County, New York: Forest Press, 1932.<br />
  
Bayle, Pierre, ''The Dictionary Historical and Critical of Mr Peter Bayle'', 2nd edition, London, 1737. <br />
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Di Franco, Karen. "The Library Medium." In <i>Borrowing, Poaching, Plagiarising, Pirating, Stealing, Gleaning, Referencing, Leaking, Copying, Imitating, Adapting, Faking, Paraphrasing, Quoting, Reproducing, Using, Counterfeiting, Repeating, Cloning, Translating</i>, edited by Andrea Francke and Eva Weinmayr, 77–90. London: AND Publishing, 2014.  [http://wiki.evaweinmayr.com/images/7/76/AND_Publishing_Piracy_Project_Reader_2014.pdf PDF].<br />
  
Benjamin, Walter, 'Unpacking my Library: A Talk about Book Collecting', in ''Illuminations'', translated by Harry Zohn, edited and with an introduction by Hannah Arendt, New York, Schocken Books, 1969, pp. 59-67. <br />
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Dockray, Sean, and Fiona Whitton. "The Public School", Los Angeles. http://thepublicschool.org/la. <br />
  
Bently, Lionel, "Copyright and the Death of the Author in Literature and Law", Modern Law Review 57, 1994, pp. 973–86.<br />
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Dockray, Sean. "Expanded Appropriation." Interview conducted by Cornelia Sollfrank, Berlin, 4 January 2013. In the context of the research project "Giving what you don’t have," Postmedialab, Leuphana University, Lüneburg. http://artwarez.org/projects/GWYDH/dockray.html, podcast.<br />
  
Bently, Lionel; Francke, Andrea; Muñoz Sarmiento, Sergio; Tsiavos Prodromos; Weinmayr, Eva. "A Day at the Courtroom", in ''Borrowing, Poaching, Plagiarising, Pirating, Stealing, Gleaning, Referencing, Leaking, Copying, Imitating, Adapting, Faking, Paraphrasing, Quoting, Reproducing, Using, Counterfeiting, Repeating, Cloning, Translating'', edited by Andrea Francke & Eva Weinmayr, London: AND Publishing, pp. 91-133, 2014.<br />
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Döderlein, Lousia. "16 Minds – Karen Eliot and Second Life". <i>InEnArt</i>, October 24, 2013. http://www.inenart.eu/?p=12244.
  
Bently, Lionel, Davis, Jennifer, Ginsburg, Jane C. (eds.), ''Copyright and Piracy: An Interdisciplinary Critique'', Cambridge University Press, 2010. <br />
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Domela, Paul, and John Byrne, eds. <i>Martha Rosler Library</i>. Liverpool Biennal of Contemporary Art, 2008.<br />
  
Berman, Sanford, ''Prejudices and Antipathies: A Tract on the LC Subject Heads Concerning People'', (originally published by Scarecrow Press, 1971), London, McFarland & Co, 1993. <br />
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Douglas, Mary. <i>How Institutions Think</i>. Syracuse: Syracuse University Press, 1986. <br />
  
Berrios, Maria, ''Girls Like Us'', issue x, 201xx<br />
+
Drabinski, Emily. "Queering the Catalog: Queer Theory and the Politics of Correction." <i>Library Quarterly</i>, 83.2, (2013): 94–111. <br />
  
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Tourney, Michele M. "Caging Virtual Antelopes: Suzanne Briet’s Definition of Documents in the Context of The Digital Age." <i>Archival Science</i> 3 (2003): 291–311.<br />
  
Teaching to Transgress Toolbox, http://www.ttttoolbox.net/<br />
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Transmediale, "Affective Infrastructures", Berlin, 2019. https://transmediale.de/content/study-circle-affective-infrastructures. <br />
  
Temporary Services (ed), ''What problems can artist publishers solve?'', Chicago, Half Letter Press and Rotterdam, PrintRoom, 2018. <br />
+
Triaille, J.-P., S. Dusollier, S. Depreeuw, J.-B. Hubin. F. Coppens, and A. de Francquen. "Infosoc Directive – Study on the application of Directive 2001/29/EC on copyright and related rights in the information society." Brussels: European Union, 2013.<br />
  
The Library Bureau, ''Classified Illustrated Catalog of the Library Bureau, A Handbook of Library and Office, Fittings and Supplies'', Boston, 1890. https://archive.org/details/classifiedillus06buregoog/mode/2up<br />
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Tuhiwai Smith, Linda. <i>Decolonizing Methodologies, Research and Indigenous Peoples</i>. London: Zed Books, 1999. [https://brb.memoryoftheworld.org/Linda%20Tuhiwai%20Smith/Decolonizing%20Methodologies_%20Research%20and%20Indigenous%20Peoples%20(8641)/Decolonizing%20Methodologies_%20Research%20and%20I%20-%20Linda%20Tuhiwai%20Smith.pdf PDF]. <br />
  
The Showroom, London. https://www.theshowroom.org/
+
United Voices of the World Union. https://www.uvwunion.org.uk/. <br />
  
Thoburn, Nicholas, ''Anti-book, On the Art and Politics of Radical Publishing'', Minneapolis, University of Minnesota Press, 2016. <br />
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Van Mourik Broekman, P., G. Hall, T. Byfield, S. Hides, and S. Worthington. <i>Open education: A study in disruption</i>. London: Rowman & Littlefield International, 2014. https://curve.coventry.ac.uk/open/file/c04530ce-d16a-46ca-b359-a905195a76cb/1/Open%20education.pdf. <br />
  
Tourney, Michele M, "Caging Virtual Antelopes: Suzanne Briet’s Definition of Documents in the Context of The Digital Age", ''Archival Science'' (2003) 3, pp. 291–31.<br />
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Vanuxem, Sarah. <i>La Propriété de la terre </i>. Marseille: Wildproject, 2018. <br/>
  
Transmediale 2019, "Affective Infrastructures", https://transmediale.de/content/study-circle-affective-infrastructures<br />
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Warner, Michael. "Publics and Counterpublics" <i>Quarterly Journal of Speech</i> vol. 88, no. 4, (November 2002): 413–25.<br/>
  
Triaille, J.-P., Dusollier, S., Depreeuw, S., Hubin, J.-B., Coppens, F., & Francquen, A. de., "Infosoc Directive – Study on the application of Directive 2001/29/EC on copyright and related rights in the information society", European Union, 2013.<br />
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Weber, Max. "Bureaucracy." <i>On Charisma and Institution Building</i>. Chicago: Chicago University Press, 1968.<br />
  
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Latest revision as of 12:45, 15 January 2021

This page compiles the resources that I have used (i) in my collaborative practice projects, (ii) consulted for the range of the already circulating published works, and (iii) for the writing of the kappa. It goes beyond the strict "cited sources" list since it includes materials that have indirectly informed my practice or thinking. These mapped works circulate in different contexts: academic, activist, community, art – in short, outside and inside academia. Where possible I linked to their sources for reading or download, or uploaded the documents directly to this wiki database. As such, this section extends, to a degree, the concept of bibliography and operates partly as an archive.

Resources

Adema, Janneke, and Gary Hall. "The Political Nature Of The Book: On Artists’ Books And Radical Open Access." New Formations, vol. 78, no. 1 (2013): 138–56. https://doi.org/10.3898/NEWF.78.07.2013. PDF.

Adema Janneke, and Samuel A. Moore. "Collectivity and collaboration: imagining new forms of communality to create resilience in scholar-led publishing." Insights 31: 3 (2018). https://doi.org/10.1629/uksg.399.

Adema, Janneke. "Scanners, collectors and aggregators. On the underground movement of (pirated) theory text sharing", Open Reflections, September 20, 2009. https://openreflections.wordpress.com/2009/09/20/scanners-collectors-and-aggregators-on-the-%E2%80%98underground-movement%E2%80%99-of-pirated-theory-text-sharing/.

———.Radical Open Access – Building Horizontal Alliances , (2018). https://radicaloa.disruptivemedia.org.uk/tag/janneke-adema/.

Ahmed, Sara. "Making Feminist Points." Feminist Kill Joys, November 11, 2013. https://feministkilljoys.com/2013/09/11/making-feminist-points/.

———. "White Men." Feminist Kill Joys, April 11, 2014. https://feministkilljoys.com/2014/11/04/white-men/.

———. Differences That Matter – Feminist Theory and Postmodernism. Cambridge: Cambridge University Press, 2004.

Alarcon, Daniel. "Life amongst the Pirates". Granta 109: Work, January 14, 2010. https://granta.com/life-among-the-pirates.

Alperin, J.P., C. Muñoz Nieves, L. Schimanski, G.E. Fischman, M.T. Niles, and E.C. McKiernan. "How significant are the public dimensions of faculty work in review, promotion, and tenure documents?," eLife, February 12, 2019. https://doi.org/10.7554/eLife.42254.003.

Altmetric. https://www.altmetric.com/.

AND Publishing Guestroom Residency, Marabouparken konsthall, Stockholm, April–August 2018. http://marabouparken.se/and-publishing/?lang=en.

AND Publishing, The Piracy Project. http://andpublishing.org/?s=the+piracy+project.

AND Publishing. "AND Publishing announces Piracy Lectures". art-agenda, May 4, 2011. https://www.art-agenda.com/shows/and-publishing-announces-the-piracy-lectures.

Art Metropole, Toronto. https://artmetropole.com/.

Atton, Chris. "The infoshop: the alternative information centre of the 1990s." New Library World, vol. 100, no. 1146 (1999): 24–29.

———. "Infoshops in the Shadow of the State." In Contesting Media Power: Alternative Media in a Networked World, edited by N. Couldry and J. Curran, 57–69. Lanham: Rowman & Littlefield Publishing, 2003.

Art-Rite magazine, winter/spring 1975/1976.

Art-Rite magazine, winter/spring 1976/1977. PDF

Atria – Institute on gender equality and women's history. "Women Thesaurus." https://institute-genderequality.org/library-archive/thesaurus/.

Aufderheide, Patricia, Peter Jaszi, Bryan Bello, and Tijana Milosevic. Copyright, Permissions, and Fair Use among Visual Artists and the Academic and Museum Visual Arts Communities: An Issues Report. New York: College Art Association, 2014. https://www.collegeart.org/pdf/FairUseIssuesReport.pdf.

Bailey, Olga, Bart Cammaerts, and Nico Carpentier. Understanding Alternative Media. Maidenhead: Open University Press, 2008.

Baines, Jess. "Free Radicals". Afterall, January 28, 2010. http://www.afterall.org/online/radical.printmaking.

———. Democratising Print. PhD diss., London School of Economics, 2016.

———. "Experiments in democratic participation: feminist printshop collectives". Cultural Policy, Criticism & Management Research, vol. 6 (Autumn, 2012): 29–51. https://culturalpolicyjournal.wordpress.com/past-issues/issue-no-6/feminist-printshop-collectives/.

Baldessari, John. Art-Rite magazine, 1976/1977.

Barad, Karen. "Diffracting Diffraction: Cutting Together-Apart". Parallax, 20:3, (2014): 168–87. https://doi.org/10.1080/13534645.2014.927623.

———. "Nature's Queer Performativity", Kvinder, KØN & Forskning 46, 1-2, (2012): 25–53, https://tidsskrift.dk/KKF/article/view/28067.

Barok, Dušan, ed. Monoskop Reader. Produced for the exhibition "Open Scores", Panke Gallery, Berlin, 2019. In the context of the research project "Creating Commons", ZHdK Zurich convened by Cornelia Sollfrank, Shusha Niederberger, and Felix Stalder. http://creatingcommons.zhdk.ch/reader-on-shadow-artistic-independent-autonomous-digital-libraries/.

Barthes, Roland. "The Death of the Author". In Image Music Text, edited and translated by Stephen Heath, 142–49. London: Fontana Paperbacks, [1967] 1990.

———. S/Z. Translated by Richard Howard. New York: Hill and Wang, 1974.

Basile, Jonathan. "Who’s Afraid of AAARG." Guernica Magazine (August 25, 2016). https://www.guernicamag.com/jonathan-basile-whos-afraid-of-aaarg/.

Bateson, Gregory. Steps to an Ecology of Mind. San Francisco: Jason Aronson, 1972.

Bathurst Judge, Cyril. Elizabethan book-pirates. Cambridge: Harvard University Press, 1934.

Bayle, Pierre. The Dictionary Historical and Critical of Mr. Peter Bayle. London, 1737 (2nd edition).

Benjamin, Walter. "Unpacking my Library: A Talk about Book Collecting." In Illuminations, translated by Harry Zohn, edited and with an introduction by Hannah Arendt, 59–67. New York: Schocken Books, 1969.

Bently, Lionel. "Copyright and the Death of the Author in Literature and Law." Modern Law Review, 57 (1994): 973–86.

Bently, Lionel, Andrea Francke, Sergio Muñoz Sarmiento, Prodromos Tsiavos, Eva Weinmayr, and the audience. "A Day at the Courtroom." In Borrowing, Poaching, Plagiarising, Pirating, Stealing, Gleaning, Referencing, Leaking, Copying, Imitating, Adapting, Faking, Paraphrasing, Quoting, Reproducing, Using, Counterfeiting, Repeating, Cloning, Translating, edited by Andrea Francke & Eva Weinmayr, 91–133. London: AND Publishing, 2014. PDF.

Bently, Lionel, Jennifer Davis, and Jane C. Ginsburg, eds. Copyright and Piracy: An Interdisciplinary Critique. Cambridge: Cambridge University Press, 2010.

Berman, Sanford. Prejudices and Antipathies: A Tract on the LC Subject Heads Concerning People (1971). Reprint, London: McFarland & Co, 1993.

Biagioli, Mario. "Documents of Documents". In Documents, Artifacts of Modern Knowledge, edited by Annelise Riles, 127–57. Ann Arbor: The University of Michigan Press, 2006.

———."Plagiarism, Kinship and Slavery". Theory Culture Society, 31(2/3) (2014): 65–91. https://doi.org/10.1177/0263276413516372.

Bird, Greg, and Jonathan Short. "Community, Immunity, and the Proper – an introduction to the political theory of Roberto Esposito." Angelaki, Journal of the Theoretical Humanities, vol. 18, no. 3 (September 2013): 1–12.

Bishop, Claire. "The Social Turn: Collaboration and Its Discontents". Artforum (February, 2006).

Bodó, Balazc. "Libraries in the post-scarcity era." In Copyrighting Creativity: Creative Values, Cultural Heritage Institutions and Systems of Intellectual Property, edited by Helle Porsdam, 75–92. Farnham: Ashgate, 2015. https://www.semanticscholar.org/paper/Libraries-in-the-Post-Scarcity-Era-Bodo/934cf6b47a4d6e9b765d378ddf74f01364f821c5?p2df.

Bowker, Geoffrey C., Stefan Timmermans, Adele E. Clarke, Ellen Balka, eds. Boundary Objects and Beyond – Working with Leigh Star. Cambridge MA: The MIT Press, 2016.

Bränström, Helena, and Elsa Modin. "Women are not a subject – subject indexing at Kvinnohistoriska samlingarna." MA thesis, Bibliotekshögskolan Boras, 1998.

Briet, Suzanne. Qu'est-ce que la documentation? EDIT: Paris, 1951. (English edition, translated and edited by Ronald E. Day and Laurent Martinet with Hermina G. B. Anghelescu. Lanham, MD: Scarecrow Press, 2006.) https://monoskop.org/log/?p=11894.

Buckland, Michael K. "What is a Document." Journal of the American Society for Information Science, vol. 48, issue 9 (September 1997): 804–09.

Butler, Judith. Notes Toward A Performative Theory of Assembly. Cambridge MA: Harvard University Press, 2015.

Candea, Matei, ed. The Social after Gabriel Tarde: Debates and Assessments. London: Routledge, 2010.

Cella, Bernhard, Leo Findeisen, and Agnes Blaha no isbn. Vienna: Salon für Kunstbuch, 2015.

Center for an Urban Future. Branches of Opportunity. New York City: Jan 2013. https://nycfuture.org/pdf/Branches_of_Opportunity.pdf.

Chang, Yi-Ting, Litzy Galarza, Mercer Gary, Erika Grimm, Ryan Lenau, Cynthia Marrero-Ramos, and Kierstan Thomas. “Lugones Lexicon." This lexicon was produced by the graduate students in the seminar, “Feminism, Intersectionality, Decolonialism: The Work of María Lugones,” co-taught by Nancy Tuana and Emma Velez in fall 2017. Penn State University, 2018. https://sites.psu.edu/lugonesconference/files/2014/11/Lugones-Lexicon-25rjap6.pdf.

Chatterjee, Piya, and Sunaina Maira, eds. The Imperial University, Academic Repression and Scholarly Dissent. Minneapolis: University of Minnesota Press, 2014.

Choi, Binna, Annette Krauss, Yolande van der Heide, and Liz Allan, eds. Unlearning Exercises – Art Organizations as Sites for Unlearning. Amsterdam: Valiz; Utrecht: Casco Art Institute/Working for the Commons, 2018.

Coleman, Gabriella. Hacker, Hoaxer, Whistleblower, Spy: The Many Faces of Anonymous. London and New York: Verso, 2014.

Constant, eds. I think that conversations are the best, biggest thing that Free Software has to offer its user. Brussels: Constant, 2015. https://conversations.tools/.

Constant, eds. Mondotheque – A Radiated Book. Brussels: Constant, 2016. PDF.

Constant, eds. "Omissum". Brussels: Constant, 2020. https://constantvzw.org/site/Paul-Otlet-Een-Omissum.html.

Constant, eds. Are you being served. Brussels: Constant 2015. https://areyoubeingserved.constantvzw.org/.

Cooper, Charlotte. "Research Justice Diagram." In Let's Mobilize: What is Feminist Pedagogy?. Gothenburg: HDK-Valand, 2018, 35. br />

Couldry, Nick, and James Curran. Contesting Media Power: Alternative Media in a Networked World. Lanham: Rowman & Littlefield, 2003.

Craig, Carys J. "Symposium: Reconstructing the Author-Self: Some Feminist Lessons for Copyright Law." American University Journal of Gender, Social Policy & the Law, Issue 15, no. 2 (2007): 207–68.

Craig, Carys J., and Joseph F. Turcotte, with Rosemary J. Coombe. "What’s Feminist about Open Access? A Relational Approach to Copyright in the Academy", feminists@law: An Open Access Journal of Feminist Legal Scholarship, vol. 1, no. 1 (2011): 1–35.

Cramer, Florian. "Unbound Books: Bound Ex Negativo", presentation at "The Unbound Book", Institute for Network Cultures, Hogeschool van Amsterdam, May 20, 2012. https://vimeo.com/24308435, podcast.

Cramer, Florian, Stewart Home, and Tatiana Bazzichelli. "Infiltration." Performance lecture at "Disruption Network Lab #14," Berlin, September 27, 2018. https://www.youtube.com/watch?v=gBSLrwTdJzs&t=3738s.

Cullen, Kevin, and John Ellement. "MIT hacking case lawyer says Aaron Swartz was offered plea deal of six months behind bars". Boston Globe, January 14, 2013. https://www.boston.com/uncategorized/noprimarytagmatch/2013/01/14/mit-hacking-case-lawyer-says-aaron-swartz-was-offered-plea-deal-of-six-months-behind-bars.

Culture Machine and Post Office Press, eds.The Geopolitics of Open. Coventry: Centre for Postdigital Cultures, Coventry University, 2018. http://radicaloa.disruptivemedia.org.uk/conferences/roa2/the-geopolitics-of-open/.

Cunningham, John. "Clandestinity and Appearance". Mute Magazine , July 8, 2010. http:// www.metamute.org/editorial/articles/clandestinity-and-appearance.

Cusiquanci, Silvia Rivera, El Colectivo 2, La Paz-Chukiyawu. "A Stroll through the Colonial Library", unpublished paper presented at the conference "Dis/Locating Culture: Narratives and Epistemologies of Displacement", Houston, Rice University, December 9–10, 2011. https://www.academia.edu/7338101/A_stroll_through_the_Colonial_Library.

Cutter, Charles A. Rules for a Dictionary Catalogue, 4th ed. London: Library Association, [1904] 1962.

de Certeau, Michel. A Practice of Everyday Life. Berkeley and Los Angeles: University of California Press, 1984.

Dath, Caroline. "How to hack Study Regulations." Mai: Feminism and Visual Culture, special focus #5: Feminist Pedagogies, January 2020. https://maifeminism.com/issues/issue-5-feminist-pedagogies/.

Dean, Jodi, Sean Dockray, Alessandro Ludovico, Pauline van Mourik Broekman, Nicholas Thoburn, and Dmitry Vilensky. "Materialities of Independent Publishing: A Conversation with AAAAARG, Chto Delat?, I Cite, Mute, and Neural". New Formations 78, (August 2013): 157–78. https://chtodelat.org/b5-announcements/a-7/materialities-of-independent-publishing-a-conversation-with-aaaaarg-chto-delat-i-cite-mute-and-neural/.

De Jong, Sara, and Sanne Koevoets, eds. Teaching Gender with Libraries and Archives: The Power of Information. Budapest: Central European University Press, 2013.

Dekker, Annet. "Copying as a Way to Start Something New. Annet Dekker in Conversation with Dušan Barok About Monoskop." In Lost and Living (in) Archives, edited by Annet Dekker, 175–90. Amsterdam: Valiz, 2017. PDF.

Deleuze, Gilles, and Claire Parnet. Dialogues II. New York: Columbia University Press, 1987.

Deleuze, Gilles, and Félix Guattari. A Thousand Plateaus: Capitalism and Schizophrenia. Translated by Brian Massumi. Minneapolis and London: University of Minnesota Press, 2005.

Deleuze, Gilles. "Letter to a Harsh Critic." In Negotiations, 1972–1990. New York: Columbia University Press, 1995.

de Sousa Santos, Boaventura. The End of the Cognitive Empire – the coming of age of epistemologies of the south. Durham and London: Duke University Press, 2018.

Dewey, Melvil. Decimal Clasification and Relative Index. 13th edition. Essex County, New York: Forest Press, 1932.

Di Franco, Karen. "The Library Medium." In Borrowing, Poaching, Plagiarising, Pirating, Stealing, Gleaning, Referencing, Leaking, Copying, Imitating, Adapting, Faking, Paraphrasing, Quoting, Reproducing, Using, Counterfeiting, Repeating, Cloning, Translating, edited by Andrea Francke and Eva Weinmayr, 77–90. London: AND Publishing, 2014. PDF.

Dockray, Sean, and Fiona Whitton. "The Public School", Los Angeles. http://thepublicschool.org/la.

Dockray, Sean. "Expanded Appropriation." Interview conducted by Cornelia Sollfrank, Berlin, 4 January 2013. In the context of the research project "Giving what you don’t have," Postmedialab, Leuphana University, Lüneburg. http://artwarez.org/projects/GWYDH/dockray.html, podcast.

Döderlein, Lousia. "16 Minds – Karen Eliot and Second Life". InEnArt, October 24, 2013. http://www.inenart.eu/?p=12244.

Domela, Paul, and John Byrne, eds. Martha Rosler Library. Liverpool Biennal of Contemporary Art, 2008.

Douglas, Mary. How Institutions Think. Syracuse: Syracuse University Press, 1986.

Drabinski, Emily. "Queering the Catalog: Queer Theory and the Politics of Correction." Library Quarterly, 83.2, (2013): 94–111.

———. "Teaching the Radical Catalog." In Radical Cataloging: Essays at the Front, edited by K. R. Roberto. Jefferson, North Carolina: McFarland, 2008. http://www.emilydrabinski.com/wp-content/uploads/2012/06/drabinski_radcat.pdf.

———. "Gendered S(h)elves: Body and Identity in the Library". Women & Environments International Magazine 78/79; Platinum Periodicals (Fall 2009/Winter 2010): 16–20. http://www.emilydrabinski.com/wp-content/uploads/2012/06/emily_weimag.pdf.

Drucker, Joanna. "Collaboration without Object(s) in the Early Happenings". Art Journal. (Winter 1993): 51–58.

———. The Century of Artists' Books. New York: Granary Books, 2004.

Drumm, Michelle. "Naming the Love That Dare Not Speak Its Name: A Look at How Gays and Lesbians are Classified in the Dewey Decimal Classification." Drumm, April 10, 2000. http://drumm.info/naming-the-love/.

Eastside Projects. https://eastsideprojects.org/.

École de Recherche Graphique (erg), Brussles. Proposal of study rules, 2019. French,English (translated by Caroline Dath.

Eichhorn, Kate. The Archival Turn in Feminism: Outrage in Order. Philadelphia: Temple University Press, 2013.

Eisenstein, Elisabeth. Printing Press as an Agent of Change. Cambridge: Cambridge University Press, 1982.

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